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GUIDO FRICK
Fall in the Rockies
36" x 36"
Saddle Up
Long Day on the Range
Head em' up - Head em' Out
20" x 20"
30" x 24"
36" x 36"
Daisies and Black-Eyed Susans
Summer Delight
Summer Bouquet
19.5" x 23.5"
27.5" x 23.5"
23.5" x 27.5"
Moss Landing
20" x 24"
Pocket Cove, Moss Landing
Bird and Seal Rock
20" x 20"
20" x 20"
Navajo Rider
36" x 36"
SOLD
Evening Glow
Days End in Navajo Country
16" x 20"
16" x 20"
Winter's End at Lake Constance
A Shady Place to Rest
23.5" x
27.5"
23.5" x 27.5"
Tranquil Waters on the Isle of Reichenau
Fisherman's Morning Break
27.5" x 31.5"
23.5" x 27.5"
Boathouse at Bommer Pond
Sunset at Bommer Pond
27.5" x 31.5"
27.5" x 31.5"
Village Field
Village Cattle Grazing
27.5" x 31.5"
27.5" x 31.5"
Evening in the Rockies Bend
in the River
40" x 50"
40" x 50"
SOLD
Tuscan Dusk
Roses
36" x 36"
30" x 24"
SOLD
Moss Landing
Fishing Trawler
24" x 30"
20" x 20"
Harbor in Italian Island
In Full Bloom
36" x 36"
36" x 36"
Spring Day Snowy
Path in High Country
27 . 5" x 31 . 5" 27
. 5" x 23 . 5"
SOLD
Edge of a Swiss Village
Autumn at Bommer Pond
27 . 5" x 31 . 5"
27 . 5" x 31 . 5"
SOLD
Still Life With Flowers
Swiss Shoreline Lake of Constance
36" x 36"
27 . 5" x 27.5"
Sunset View
to Wind River Mountain
11" x 14"
11" x 14"
Sunday Afternoon Rose
Reflections
36" x 36" 30"
x 24"
SOLD
Waiting for a friend
Red Wine and Roses
24" x 30" 30"
x 24"
About the Artist
Guido Frick received his art education
in Europe as well as in the United States. After years of study in the early
70's with Professor Karel Hodr, one of Europe's most important impressionists,
Guido joined the Bongart School of Art in California and Idaho
After Returning to Europe, Guido's
reputation as a painter continued to grow. His work has been seen in many
one-man shows in Germany, Switzerland and Italy. His work has also been
published in art books and he won the Prix de Salon on Fontainebleau-Paris
In Europe, this German painter works on
location in the Netherlands, Southern France, Germany, Switzerland and Italy.
However, he considers his semi-annual month-long painting trips to the
western parts of the United States as the absolute highlight of his extensive
traveling. Especially in the Old West, Guido feels completely at home. His love
for this area is captured and mirrored in his paintings, which are shown in
galleries throughout the West.
His work receives increasing
appreciation and demand because of the freshness and spontaneity of his
paintings, which are identified by his bold, vigorous and brilliant brushwork
and color harmonies. His American and European training adds to this work a
mélange of special and exciting qualities.
Guido strictly believes that only nature
should be the studio of impressionists. Consequently, his landscape subjects and
florals are painted outdoors. About the painting process, Guido points out, "If
you don't let your feelings come out while painting, nothing will happen on the
canvas. The painting should mirror your personality. Be yourself, then your
paintings get soul, heart and power."
In essence, he considers his creative
work as a permanent dialog with nature saying, " It was Sergei Bongart who
opened my eyes and heart to get in this kind of dialog."
Guido does not care too much about
classification. "I am an artist who always crosses the borderline between
impressionism and expressionism. My emotions don't like to be forced or stressed
into these closed-minded labels. I just try to express myself and to ring
impressions alive in a pleasant way."
"I am aware, as I paint, that moments of
inspiration are as fleeting as moments when I am unable to achieve my vision.
Still, I trust in the process. The next brush stroke is always the most
important one. I wish to capture the moment, the shifting mood, the atmosphere,
the light. That is the great challenge - nature is always in motion and life is
continually in transition between dying, transformation, and rebirth."
He strongly feels that painting is more
than freedom and expression of the brush stroke. "It is the thought behind the
process, one brush stroke at a time, moment by moment. And, once I have
completed a painting, my thoughts are with the next horizon. I am constantly
searching the next horizon."
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