Correlitos Flower Growers April Showers Foothills of Mt. Diablo
9" x 12" 16" x 20" 9" x 12"
P A T R I C K A. W O O D M A N
Correlitos Flower Growers
April Showers
Foothills of Mt. Diablo
9" x 12"
16" x 20"
9" x 12"
Monterey Cypress
Watsonville Eucalyptus
Pelican Point
9" x 12"
9" x 12"
9" x 12"
Napa
Valley Autumn Monterey
Cypress
California Hills
18" x 24" 18"
x 24"
24" x 30"
Pelican Point
Northern Cascades
Up a Lazy River
24" x 30"
40" x 30"
24" x 30"
A
Hidden Place
A Garden Path
Blue Fish Cove, Point Lobos
24" x 30"
20" x 16" 36" x
48"
\
Benicia Corridor
Palm Desert
Twin Lakes-Santa Cruz
9" x 12"
9" x 12"
9" x 12"
Point Lobos-Blue
Fish Cove
California Sunset
Point Lobos from Monastery Beach
9" x 12"
20" x 24"
9" x 12"
"Born in Pasadena, California and raised in the San Francisco Bay area, Mr. Woodman began painting at the age of five. “My father and I were on an outing at Lake Merritt when I observed a woman painting the multi-colored hulls of overturned boats at the lake’s marina. That afternoon, on our way home, I announced to my father that I had decided to be an artist.”
"Mr. Woodman began exhibiting his work in galleries when he was twelve. Maintaining paintings in three galleries in San Francisco, during the Sixties his clients were primarily Californians with his works in collections running the length of the state. In the Seventies, after a trip to Europe where he studied, painted, and sold works to collectors in Paris and Athens, he moved his studio to Dallas, Texas. It was while represented by Roughton Galleries in Dallas that Mr. Woodman’s work was recognized and hung in such collections as Frito Lay Corporation, Sun Tex Oil Corporation, the H. Bass Collection, Inwood Bank of Dallas, and the B. B. Barnett Collection, to mention but a few. At the time, Mr. Woodman’s repertoire consisted of landscapes, still life’s, seascapes and some figure work.
In 1981, Mr. Woodman moved to the southwestern artist colony of Taos, New Mexico, where he maintained a home and studio. Here, under the crisp blue light of Taos and surrounded by the wide open spaces of the American West, Mr. Woodman’s list of subjects grew to include grand paintings of Monument Valley, the Teton, Zion and Yosemite. During this period, came a collection of paintings capturing the beauty of the adobe walls and gates with hollyhocks, the daily life of the Tea Indians of Taos Pueblo and the Hopi Indians of Third Mesa. The fiery night scenes of mystic rituals and the subdued beauty of the Pueblo at night capture the rich heritage and beauty of the American Southwest.
In 1988 after relocating his studio to the quiet solitude of the coastal mountains of California, Mr. Woodman began painting the local landscape. These works include the cliffs and sea from Davenport to Big Sur, and the poppies and lupin covering the rolling California hills with old growth oak trees."
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